Cliff and Vance are back following their fantastic show in January!

Cliff Eberhardt cut his teeth listening to James Taylor, Joni Mitchell, Bruce Springsteen, Howlin’ Wolf, Muddy Waters, Bonnie Raitt, and Mississippi John Hurt at local clubs — but also Cole Porter, the Gershwins, and Rodgers and Hart. Cliff moved to New York in 1978 – because the clubs were great (the Bitter End, the Speakeasy, Kenny’s Castaway, Folk City) and the company amazing (John Gorka, Suzanne Vega, Lucy Kaplansky, Julie Gold, Steve Forbert, Christine Lavin, and Shawn Colvin). Between long hours as a taxi driver, Cliff played guitar on the road with Richie Havens, Melanie and sang jingles for Coke, Miller Beer and Chevrolet (“The Heartbeat of America” campaign).

Cliff recently released an album of original songs, “Knew Things”, to critical acclaim and wide-spread Folk and Public radio airplay. More information is available at www.cliffeberhardt.net.

“If Joni Mitchell and Richie Havens had a love child, with Rodney Dangerfield as the midwife, the results might be something close to the great Vance Gilbert,” says Richmond Magazine.

Vance’s new album, “The Mother Of Trouble,” features Grammy winner Lori McKenna on background vocals, Juno award recipient and Bonnie Raitt Grammy hit song co-writer Joey Landreth on guitars, and Americana-Roots master mandolinist Joe K. Walsh. With 4 bullies, 4 deaths (3 of them murders), 3 moms, 2 accidents, 2 Black people, 2 dogs, 1 dog ball, 1 gay kid, and 1 missed flight thanks to gas station sushi, this album benefits from the gifts of time and experience honing songwriting skills that put this most vital of acoustic storytellers at the top of the game.

Vance was born and raised in the Philadelphia area. Starting out hoping to be an R&B and jazz singer once at college, there he discovered his affinity for the storytelling sensibilities of the acoustic singer-songwriter thing. Word spread like wildfire about Gilbert’s stage-owning singing and playing, and Shawn Colvin invited him to be special guest on her 1992 Fat City tour where he took much of America by storm and by surprise. “With the voice of an angel, the wit of a devil, and the guitar playing of a god..” wrote the Fort Worth Star-Telegram.

30 years into his career, the songwriter’s influence can be felt all over the contemporary Folk and Americana realm as he has helped pave the way for many of the BIPOC artists who have followed.

Tickets $30 advance, $35 door

ALL SALES ARE FINAL

DINNER RESERVATIONS REQUIRE 1 ENTREE PER PERSON

SHOW ONLY TICKETS ADMITTED 15 MINUTES BEFORE SHOWTIME

ADVANCE SALE PRICE ENDS 1 HOUR BEFORE DOORS